Also unlike the other Angels, Kaworu wears human clothes. Unlike the Angels who came before him, but like Rei, Kaworu has a Lilin body, with no visible physical difference from a regular human except for very pale skin, light grey hair and red irises. He is considered the Angel of free will, which is considered a gift of God Although Kaworu was sent by SEELE for a specific purpose, he also has his own agenda. As revealed in Newtype publications such as ADAM and used by Keel Lorenz in the Manga. As the vessel for Adam's soul, Kaworu's designation is " Tabris" (Arabic: تبريس). However, he does show a detachment from human protocols and shares Rei's tendency to speak in universal rather than personal terms. Kaworu appears comfortable in his identity (far more than Rei), and also warmer and more emotionally open. The moment Kaworu opens the doors to Terminal Dogma is in synch with the line "Und der Cherub steht vor Gott"- "And the Cherub (Angel) stands before God". The Ninth Symphony itself incorporates an adaptation Friedrich Schiller's Ode to Joy ( Ode an die Freude), a poem dedicated to the unity of all men under God. Kaworu appears humming the fourth movement of Beethoven's Ninth Symphony, the same music that plays during his descent into Terminal Dogma, and so serves as a leitmotif for his character. Despite his human form, Kaworu does not seem to consider himself to be human, referring to humans as "the Lilin" in differentiation from himself. Although classified as an Angel, Kaworu is similar to Rei Ayanami in being a Seed of Life that inhabits a human body. Kaworu (渚カヲル) is both the 17th Angel and the Fifth Child. 4.6 Neon Genesis Evangelion: Gakuen Datenroku.
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